Actors who study the Meisner Technique are likely familiar with the term the actors instrument. An analogy between an actor and an instrument is a good way to help define all the aspects of the acting craft and help actors take in idea, information and lines and put out high quality work. Even the most inexperienced audience knows when acting is good or not, simply by how engaged they are in the material being presented. They don’t need a great deal of theatre going experience to sense when the acting is fantastic. They can also sense when an actors instrument is not well developed, because they don’t “believe” the character portrayal.
The actors instrument as six general categories. Those elements include emotional expression, sensory expression, physical expression, empathy and intelligence. Mastering the craft of acting with the Meisner Technique requires that all six aspects of the instrument are well developed. If you run down the categories mentioned, anyone even slightly interested in acting should be able to name successful actors who have mastered several of these aspects of expression. Rarely, the are actors that come along and become the best of the best by being gifted at them all.
Take, for example, Sylvester Stallone who is know for his commanding physical presence and physical expression. This doesn’t mean that he can’t express himself emotionally, it just means that his physical presence is the most developed of his acting tools. Although he is practiced at developing an emotional side of his characters, those expressions are often communicated through physical means. Actors must focus and learn about all the aspects of the acting instrument, which will help them be diverse and capable of many types of roles.
Emotional expression is the most common aspect of the instrument that actors are focused on. Obsessing about how a character feels about something and how to express it is usually the primary thing actors concentrate on. While it can be short sighted to put too much weight on any one aspect of the actors instrument, emotional expression is certainly a key acting tool to master. It’s important to remember, however, that each of the six aspects of the instrument are related and must be developed and work together.
Of course, it is meaningful emotional expression that draws people into any character or story. Emotional expression is they way that the internal aspects of a character’s conflicts, needs, and feelings are expressed. It is common in classes teaching Meisner acting in nyc to create an emotional history of a character, imagine it in detail and then use all the aspects of the instrument to express them. Students of Meisner acting must study the range of human emotions in all their complexity. They do this by creating a “library” of human emotion and a resource of reactions and ways of communicating based on studies of real people. When called upon to create a specific character, they dig very deep and create and imagine (another part of the instrument) what that character’s emotional story is. They create and live the emotional life that the character would live so that it is instilled in them and can be called upon at will.
Take as an example, vulnerability which is an expression of insecurity or perhaps innocence or even strength. Actors might work hard to develop this emotion and the complex ways it can be expressed. But, if they have strongly developed other aspects of their instrument, such as physical expression and empathy, they will be able to present an authentic, vulnerable character. A single tear, without words can accomplish this, but how about a sense of vulnerability shown while one is smashing a clock to pieces? These are very nuanced yet, essential things to study.
The myth is that acting is simply pretending to have an emotion. Simply reciting inflections and gestures that express certain emotions is not acting. Acting is DOING, as master teacher Sanford Meisner always said. In other words acting is being in the moment and allowing any number of emotional reactions well up and take you over and turn you into the actual character. Great acting is, moment by moment, opening up to the character and allowing them to take you places you may not have imagined. The best actors do not pretend to feel something, or coach themselves to do anything while in character. They feel genuine, strong emotions and a sense of grief or loss and images makes them cry. This process requires that an actor develop the capacity to create and feel true sensations, and then express that through all channels of their instrument. Actors must give themselves permission to feel strong emotions, and express them (or not, if the role requires it) in physical, intelligent, empathetic ways.
The Maggie Flanigan Studio provides training for serious actors committed to improving their craft. Find out more about meisner acting in nyc by reading this article about acting instrument by visiting the studio website.