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Actors who study the Meisner Technique are likely familiar with the term the actors instrument. Making a comparison between acting and an instrument is helpful in categorizing aspects of the acting craft and what makes a good actor. Audience members are quick to determine whether actors are portraying a new reality well enough to hold their attention. But, can we pinpoint what makes us feel that way? In fact, it is the actors instrument and how well rounded and how well developed it is.

The actors instrument is comprised of six different elements, all important. Those elements include emotional expression, sensory expression, physical expression, empathy and intelligence. Mastering the craft of acting with the Meisner Technique requires that all six aspects of the instrument are well developed. If you run down the categories mentioned, anyone even slightly interested in acting should be able to name successful actors who have mastered several of these aspects of expression. Legendary actors are those that have mastered all six.

Sylvester Stallone is a physical actor who commands attention simply because of his physical presence onscreen. While this does not mean the Stallone cannot express a character emotionally, he is general know for his physical expression, which is the most powerful of his acting tools. Although he is practiced at developing an emotional side of his characters, those expressions are often communicated through physical means. This is why actors must focus on learning about each and every aspect of the instrument, so that they can be as well rounded as possible.

Emotional expression is the most common aspect of the instrument that actors are focused on. How a character feels about something and delivering lines powered by that feeling is a very common practice for newer actors. While it can be short sighted to put too much weight on any one aspect of the actors instrument, emotional expression is certainly a key acting tool to master. Each of the six aspects need to be studied and mastered so that they can all work together.

Meaning in a story is derived mainly from the emotional expression of its characters. It is through this kind of expression that the audience is drawn in to the story. It is common in classes teaching Meisner acting in nyc to create an emotional history of a character, imagine it in detail and then use all the aspects of the instrument to express them. Students of Meisner acting must study the range of human emotions in all their complexity. They work hard to create a foundation of human emotion and way of communicating based on real people and fictional characters. When a specific character needs to be presented, these then delve more deeply and specifically into imagining (another aspect of the instrument) what the character’s emotions feel like. Having created a full emotional life and a foundation of behaviors, thoughts and ways of reacting, the actor can then bring the character to life, in the moment, in a spontaneous way.

Take as an example, vulnerability which is an expression of insecurity or perhaps innocence or even strength. Actors might work hard to develop this emotion and the complex ways it can be expressed. But, unless they have developed other aspects of their instrument, such as empathy or intelligence, the character will not be authentic. Vulnerability might be expressed by smashing a vase to pieces, or by simply sitting still and the challenge is to use ways appropriate to the character. These are very nuanced yet, essential things to study.

The myth is that acting is simply pretending to have an emotion. However, acting is not simply reciting words using certain inflections and gestures to communicate emotions. Sanford Meisner was often heard to say, “acting is DOING.” Being in the moment, and opening up completely to whatever emotions the character might present to you is the secret of great acting. It is a subtle yet, very important distinction. Legendary actors do not force themselves to show emotion. There are genuine emotions in their performances, often unpredictable ones that appear as they work as character. Acting students who have developed a deep capacity of raw, true human experience that can express it using all aspects of the instrument are the ones that learn the most about the craft. Give yourself permission to feel fully and strongly, and express it in ways that are physical, intelligent empathetic and real.

The Maggie Flanigan Studio provides training for serious actors committed to improving their craft. Find out more about meisner by reading this article about acting classes by visiting the studio website.

Actors who study the Meisner Technique are likely familiar with the term the actors instrument. An analogy between an actor and an instrument is a good way to help define all the aspects of the acting craft and help actors take in idea, information and lines and put out high quality work. Audience members are quick to determine whether actors are portraying a new reality well enough to hold their attention. But, can we pinpoint what makes us feel that way? In fact, it is the actors instrument and how well rounded and how well developed it is.

The actors instrument is comprised of six different elements, all important. They are: physical expression, emotional expression, imagination, sensory expression, intelligence and empathy. Mastering the craft of acting with the Meisner Technique requires that all six aspects of the instrument are well developed. If you run down the categories mentioned, anyone even slightly interested in acting should be able to name successful actors who have mastered several of these aspects of expression. Legendary actors are those that have mastered all six.

Take, for example, Sylvester Stallone who is know for his commanding physical presence and physical expression. Stallone is certainly able to express emotionally, but overall his most powerful tool onscreen is his physical expression. As an actor he expresses emotional in a very physical, often external way. This is why actors must focus on learning about each and every aspect of the instrument, so that they can be as well rounded as possible.

Emotional expression is one of the first things most up and coming actors focus on. Thinking deeply about how a character feels about something and trying to emulate it is a very common thing for up and coming actors to try and master. While it can be short sighted to put too much weight on any one aspect of the actors instrument, emotional expression is certainly a key acting tool to master. All six of the aspects of the instrument should be studied diligently until they are mastered.

Of course, it is meaningful emotional expression that draws people into any character or story. Emotional expression is they way that the internal aspects of a character’s conflicts, needs, and feelings are expressed. Those that study Meisner acting in nyc use an imagined emotional history of a character which they must then express using all the aspects of the instrument. Students of Meisner acting must study the range of human emotions in all their complexity. They in fact, build a library of emotions and reactions and methods for communicating them. Specific characters can be created by delving very deep into the imagination and using the “library” of human behavior they have created. This created life, its emotions and patterns of behavior, are then drawn upon moment by moment, not in rehearsed ways, but spontaneously.

Vulnerability, for example is an expression of the emotion of insecurity. Actors might work hard to develop this emotion and the complex ways it can be expressed. But, if they have strongly developed other aspects of their instrument, such as physical expression and empathy, they will be able to present an authentic, vulnerable character. A single tear, without words can accomplish this, but how about a sense of vulnerability shown while one is smashing a clock to pieces? There is no predictable, safe way to do this.

One common myth is that acting is pretending to have certain emotions. Simply reciting inflections and gestures that express certain emotions is not acting. Acting is DOING, as master teacher Sanford Meisner always said. Being in the moment, and opening up completely to whatever emotions the character might present to you is the secret of great acting. It is a subtle yet, very important distinction. Great actors do not force themselves to cry. What they feel is genuine, and the results can range from crying and screaming to sitting perfectly still to express an emotion. Developing a deep capacity to understand and feel the full range of human emotions and experiences is a great way to become an open, flexible acting student, the best kind of student. Give yourself permission to feel fully and strongly, and express it in ways that are physical, intelligent empathetic and real.

The Maggie Flanigan Studio provides acting classes in NYC for serious actors. Find out more about meisner acting nyc at the studio website or read this article about emotional preparation.